Nels Coxman is a family man whose quiet life with his wife is upended following the mysterious death of their son.

Nels' search for justice turns into a vengeful hunt for Viking, a drug lord he believes is connected to the death. As one by one each of Viking's associates "disappear," Nels goes from upstanding citizen to ice-cold vigilante, letting nothing - and no one - get in his way.

In this work, first published in 1802 and followed by many subsequent editions, the famous horticulturalist William Forsyth (c. 1737 1804) gives an exhaustive guide to the cultivation of fruit trees and advises on pests and diseases. Forsyth was appointed superintendent of the Royal Gardens of St James and Kensington in 1784, and was also one of the founders of the (now Royal) Horticultural Society. The work is divided into two parts: in the first, various kinds of fruit trees, including soft fruit and nuts, are described in detail. Forsyth explains how to plant and prune them and gives advice on harvesting and storing the produce. In the short second part, Forsyth discusses the need for better care of both fruit and forest trees (good-quality timber being needed especially in time of war), and advocates a 'Composition' of his own invention for improving the health of diseased and damaged trees.

Around the world, the American-born avant-garde choreographer William Forsythe is considered one of the most significant and innovative figures in contemporary dance. As the Director of the Ballett Frankfurt from 1984 to 2004, he transcended the boundaries of the genre, creating abstract and geometric dances that were contorted, formal and difficult. Always a proponent of the use of text, he drew on architecture, art, linguistics, physics and philosophy, oftentimes presenting his work alongside distressingly stark lighting and electronic music scores. In 2005, Forsythe founded his own smaller and more flexible company, with which he has continued to redefine the parameters of the performing arts. Increasingly, he is working on multimedia collages--which he presents in art galleries and public spaces with the goal of destabilizing viewers and forcing them to acknowledge their bodies. This volume presents recent installation and film works alongside a text by Forsythe and a dialogue between Forsythe and critic-curator Daniel Birnbaum.